Pastel and Oil Workshop Supply list
Pastel Materials (click the links for examples)
* Soft Pastels - Bring a large variety of colors. A 60 piece set is appropriate. Terry Ludwig, Great American, Schminke, Blue Earth, Unison, Sennelier, Girault, etc.
* Optional Hard Pastels - A small selection of 12-24. Cretacolor, Faber-Castell, NuPastel (for portraits bring ochres, browns, warm flesh tones and white)
* Single edge razor blade - for sharpening hard pastels to a point
* Pastel paper - Bring an assortment, three sheets or more. White or toned. Sizes: 12x18", 16x20", 18x24"
· For wet or dry application: UART, Pastel Premier, Art Spectrum Velour and Colourfix, Pastelmat, Sabretooth, Canson Touch.
· For dry application only: Canson Mi Teintes, La Carte Pastel Card
* Backing board - slightly larger then paper size (foam board, gatorboard, chipboard, drawing board)
* Sanded pastel paper scraps for color studies. Bring few, smallish sizes around 4x6”
* Small Sketchpad for thumbnail sketching
* Acid Free Artists Tape 1” - (white or black)
* Paper Towels, wet wipes - for cleaning hands
* Optional Gloves in a Bottle - Skin Cream for protection
* Optional blending Tools - Use depending on your preference. Tortillons, stumps, brushes, rubber blending tools
* Travel Easel - For those with a pastel box, the Mabef Travel Easel works well.
* A Camera- for taking photographic reference. Digital SLR or Mirrorless Cameras with interchangeable lenses are best. I recommend to all artists investing in one fixed focal length prime lens that can shoot really well in low light. An inexpensive example is a 50mm F1.8 lens. Here are two examples: Nikon 50mm F1.8 lens, Canon 50mm F1.8 lens
Oil Materials (click the links for examples)
Oil painters may continue to use the palette of colors they are familiar and comfortable with. I will share mine as an FYI. It is not necessary to purchase my paint colors.
* My preferred canvas - Classeins #13 double oil-primed portrait linen. I love it mounted on panel as well. SourceTek canvas panels are very nice.
* My oil palette - Permalba white, cadmium lemon, cad yellow, yellow ochre pale, cad orange, cad red(or cad red light), alizarin crimson, terra rosa(optional), transparent oxide red(instead of burnt umber), ultramarine blue deep (rembrandt), cobalt blue light (rembrandt), viridian, and ivory black(optional). I generally have 13 colors on the palette. Other colors I alternate on my pallette: cad yellow light, cad yellow pale, transparent oxide brown (rembrandt), cerulean blue, chromium oxide green. I prefer windsor and newton, rembrandt, and gamblin oil paints.
* Painting medium - is up to you. It is not necessary to use a medium. I often use a medium composed of 1 part stand oil to 5 parts mineral spirits. I have also like to use walnut oil as an alternate to stand oil. It’s very clean and smooth with a slow drying time.
* My Brushes - I use Bristle filberts of all sizes. Silverbush grand prix is very good. Rosemary Brushes also makes a wonderful product. The long-haired filberts are nice too. I use long filberts and flats made of soft mongoose or sable. One or two small Sable rounds for details are very helpful. One Bristle fan brush for knocking down reflection/glare.
* Palette knives - are very nice both for painting and scraping out unwanted paint. I use italian painting knives in the long diamond shape, a variety of sizes. The small ones are excellent.
* Other - Mineral Spirits, paper towels, mahl stick or cane for steadying the hand. Charcoal, sketch pad for thumbnail sketching.